Treasure of Tutankhamun is one of the new riddles in AC Origins, introduced in the Curse of The Pharaohs add-on. It’s a puzzle that points towards a treasure, much like the papyrus puzzles before it. It’s much more difficult to decipher, though. It’s a tricky thing, and we spent quite a while trying to figure it out. River nile casino. We’re going to present the solution in our AC Origins Treasure of Tutankhamun guide, for all those who need help with it.
Here is the forth and final treasure location. Sorry again for being late on this one. I've been busy with work. I hope the video helps you out. Item #M2771b Rare. Oxford University Press, Oxford, 1960, reprint 1975. Ex-library with sticker and stamps. Language: English. THIS BOOK SHIPS FROM EUROPE, SHIPPING COSTS WILL BE UPDATED ACCORDINGLY BPF.
Treasure of Tutankhamun Puzzle
The text is a bit unhelpful. It narrows your search down to Duat, and points you behind the Funeral Parlor point of interest, but the rest is up to you. The river flowing through the area is rich with pillars (none of which are behind the parlor), and there are lotus flowers literally everywhere. The Wadjet clue is completely irrelevant, as that is something you’ll notice only when you’re already past the biggest hurdle.
Behind the eternal parlor, Lotus scented he liesFrom the flowing waters pillars loom in darkness
“Hidden” is the name of the fifth of the Duat
Revealed beyond the jaws of the cobra-headed Wadjet.
Where to find Treasure of Tutankhamun?
Go behind the Funeral Parlor in the southwestern corner of Duat. Casino slots villa. Go down to the river and inspect the southern cliff. You should see a small opening near the water level. Squeeze through,and you’ll end up in a cavern. Go across the chamber, into the tomb-like room, and crawl through the hole on the right. Look around the room, and you’ll soon find a white chest with your prize. We got the Golden Wolf sword, but it seems the rewards are random. Whatever you get, it will certainly be of legendary rarity, though.
This statue of the Pharaoh Ramesses II was designed to show him as a beneficent ruler, a mighty warrior and a living god. It was erected in the Ramesseum - his mortuary temple, where the cult of Ramesses would continue for centuries. During his reign the annual Nile flood repeatedly reached ideal levels leading to good harvests and a period of prosperity in Egypt. Ramesses himself fathered 85 children with a number of queens during his 66-year reign.
Why was Ramesses II so successful?
Ramesses II is known as one of Egypt's greatest pharaohs - nine further pharaohs tried to emulate his success by taking his name. Although Ramesses was renowned as a warrior-king he suffered several military setbacks. Ramesses owed his reputation to his skills as a self-publicist - he erected more statues than any other Egyptian pharaoh. He even changed or added to the inscriptions on previous pharaohs' statues to glorify himself. This ensured that Ramesses was worshiped as a god for centuries after his death.
Why was Ramesses II so successful?
Ramesses II is known as one of Egypt's greatest pharaohs - nine further pharaohs tried to emulate his success by taking his name. Although Ramesses was renowned as a warrior-king he suffered several military setbacks. Ramesses owed his reputation to his skills as a self-publicist - he erected more statues than any other Egyptian pharaoh. He even changed or added to the inscriptions on previous pharaohs' statues to glorify himself. This ensured that Ramesses was worshiped as a god for centuries after his death.
The original complete statue weighed 20 tonnes, as much as 36 African Elephants
Treasure Of Ramesses
Who was Ramesses II?
Origins Treasure Of Ramesses
This magnificent sculpture is the upper third of a colossal seated statue that represents Ramesses II, one of the most illustrious kings of ancient Egypt. He ruled his empire for almost 67 years during the thirteenth century BC.
Ramesses, determined to outshine all other pharaohs, called himself ‘ruler of rulers’ and had more monuments and statues created than any other pharaoh.
In the course of his long reign, Ramesses II had seven principal wives and fathered at least 40 daughters and 45 sons. Dying in his nineties, he outlived a dozen crown princes and was succeeded by his thirteenth son, Merenptah.
The twelfth century saw nine more kings with the name Ramesses come to the throne. They were increasingly weak, and during the reign of Ramesses XI the New Kingdom came to an end.
This statue was one of a pair that stood either side of a doorway in the king’s vast mortuary temple on the west bank of Thebes (modern Luxor). This temple was intended for the king’s posthumous cult.
Originally some nine metres tall, the statue was carved from a single piece of granite taken from a quarry 200 kilometres up the river Nile, at Aswan. It was deliberately extracted so that the head would be in red and the body in grey granite. The finer sculptural design was only carried out once the colossus had been erected inside the temple. Colour pigments, now mostly faded, were painted on to make the sculpture appear more lifelike.
Ramesses, determined to outshine all other pharaohs, called himself ‘ruler of rulers’ and had more monuments and statues created than any other pharaoh.
In the course of his long reign, Ramesses II had seven principal wives and fathered at least 40 daughters and 45 sons. Dying in his nineties, he outlived a dozen crown princes and was succeeded by his thirteenth son, Merenptah.
The twelfth century saw nine more kings with the name Ramesses come to the throne. They were increasingly weak, and during the reign of Ramesses XI the New Kingdom came to an end.
This statue was one of a pair that stood either side of a doorway in the king’s vast mortuary temple on the west bank of Thebes (modern Luxor). This temple was intended for the king’s posthumous cult.
Originally some nine metres tall, the statue was carved from a single piece of granite taken from a quarry 200 kilometres up the river Nile, at Aswan. It was deliberately extracted so that the head would be in red and the body in grey granite. The finer sculptural design was only carried out once the colossus had been erected inside the temple. Colour pigments, now mostly faded, were painted on to make the sculpture appear more lifelike.
How to move an object like Ramesses?
Ac Origins Treasure Of Tutankhamun
The bust of Ramesses II is one of the largest pieces of Egyptian sculpture in the British Museum and weighs over 7 tons.
When we move an object this large, a combined team of museum assistants and heavy object handlers would need to consider many aspects of where it is going to and the space available in which to move it.
When this statue of Ramesses was first brought into the Museum in the 1830s, a hole had to be made in the gallery wall and it was brought in using rope and wooden scaffolding.
Today, due to its size, we cannot lift the statue using equipment such as forklifts. Instead we can lift the object from above using steel gantries and slings (a modern equivalent of rope and wood).
We can also lift the statue from below. Large timbers are used to lower, or ‘rock’, the statue to the ground level where it is placed on heavy duty wheels or rollers.
Both of these processes are long and slow and need a lot of skilled staff and patience. For example, to lower the statue using timbers, you need to lift one side of the statue up and lower the timber by a couple of centimetres and then repeat the action on the other side. So it can take hours to move even a few centimetres!
When we move an object this large, a combined team of museum assistants and heavy object handlers would need to consider many aspects of where it is going to and the space available in which to move it.
When this statue of Ramesses was first brought into the Museum in the 1830s, a hole had to be made in the gallery wall and it was brought in using rope and wooden scaffolding.
Today, due to its size, we cannot lift the statue using equipment such as forklifts. Instead we can lift the object from above using steel gantries and slings (a modern equivalent of rope and wood).
We can also lift the statue from below. Large timbers are used to lower, or ‘rock’, the statue to the ground level where it is placed on heavy duty wheels or rollers.
Both of these processes are long and slow and need a lot of skilled staff and patience. For example, to lower the statue using timbers, you need to lift one side of the statue up and lower the timber by a couple of centimetres and then repeat the action on the other side. So it can take hours to move even a few centimetres!